561 articles113 we saw186 news260 interviews2 editorial the most readWe saw it a 16 September

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Wednesday, July 22, 2026

The Little Prince on stage at the Théâtre Le Cabestan during the Avignon Off Festival.

we saw

Off du Festival d'Avignon

Le petit prince

Antoine de Saint-Exupéry
Théâtre des Etincelles

While exploring the Avignon Off Festival, we saw the Théâtre des Etincelles’ production of The Little Prince, a staging that mirrors the book’s formal simplicity to preserve its essential…

Tuesday, July 21, 2026

Compagnie Lé La's L'Enfant de l'arbre on stage at the Chapelle du Verbe Incarné during the Avignon Off Festival.

we saw

Off du Festival d'Avignon

L'enfant de l'arbre

During the Avignon Off Festival, we saw L'enfant de l'arbre, a tale about innocence and respect for the environment.

Saturday, April 18, 2026

Laure Bertrand in her new office at Tarbes Town Hall / photo Stéphane Boularand (c)Bigorre.org

interviews

Laure Bertrand, at the helm of Tarbes' culture

Laure Bertrand

Deputy Mayor for Culture in the new municipal team, Laure Bertrand answers our questions to find out her vision of what Tarbes' cultural policy could be.

Monday, March 30, 2026

Phantom France on the Parvis stage / photo Stéphane Boularand (c)Bigorre.org

we saw

France-fantôme

Tiphaine Raffier

With France-fantôme, Tiphaine Raffier delivers a dystopia that takes theatre somewhere between Aldous Huxley’s Brave New World and Ray Bradbury’s Fahrenheit 451.

Saturday, March 14, 2026

Claude Brugeilles in his workshop next to one of his latest creations / photo Stéphane Boularand (c)Bigorre.org

interviews

Claude Brugeilles uses a variety of media for his artistic expression.

Claude Brugeilles

From the painted cabins of Arcizac-Adour to his poetry collections, by way of his Don Quixotes made of metal and recycled materials, there is only one artist. An interview with the discreet and…

Sunday, January 11, 2026

Roméo et Juliette sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Romeo et Juliette

William Shakespeare
Guillaume Séverac-Schmitz

By constantly pulling his characters between the Shakespearean tragedy of the late 16th century and dialogues rooted in the vulgarity of our time, Guillaume Séverac-Schmitz makes Romeo and Juliet do…

Sunday, November 16, 2025

Portés de femmes au Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Portés de femmes

Humour, derision, feminism and performance at the Parvis with Portés de femme which quickly wins over the audience.

Saturday, May 17, 2025

Guillaume Meurice et Eric Lagadec à Tarbes le 24 mai / photo Louizart

interviews

Guillaume Meurisse, Eric Lagadec and Einstein's infinity

Guillaume Meurisse
Eric Lagadec

They'll be at the Parc des Expositions in Tarbes next Saturday. A two-way interview with the comedian and the astrophysicist, who announce that they're heading toward infinity (but not beyond) for…

Saturday, April 12, 2025

Alain et Laurence Brumont autour des « Bulles de vie » de Julien Righi / photo Stéphane Boularand (c)Bigorre.org

interviews

Brumont, from wine culture to entertainment

For the Brumonts, wine culture rhymes with the culture of the mind. We meet Alain Brumont a few months before the Soirées Impériales, which will showcase the history of taste.

Tuesday, April 1, 2025

 / photo Stéphane Boularand (c)Bigorre.org

we saw

Marius

Joël Pommerat
Marcel Pagnol

All of Marcel Pagnol's characters are on stage, but Joël Pommerat has concocted another Marius.

Monday, March 3, 2025

Tosca sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Tosca

Puccini
Opera de Compiègne

As the Théâtre Impérial - Opéra de Compiègne presents a Tosca that is outside the norms of the great opera stages, the question arises: can Puccini adapt to a more restrained form? An hour and…

Thursday, January 9, 2025

Après deux heures sur la scène, le Baro d'Evel termine le spectacle en musique devant les portes du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Qui som ?

Baro d'Evel

Burlesque, dance, theater, circus. Baro d'Evel plays with all genres, constantly coming back without ever weighing on the fundamental question: who are we?

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