368 articles81 we saw82 news203 Interviews2 Editos the most readVu un 23 March

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Friday, March 13, 2026

<q>Sans suite [Un air de roman]</q> sur la scène du Parvis

we saw

Sans suite [Un air de roman]

Sébastien Bournac
Baptiste Amann

Sébastien Bournac and his team will be presenting the premiere of Sans suite [Un air de roman] at Le Parvis on Wednesday evening during their residency.

Saturday, March 7, 2026

Sébastien Bournac en résidence au Parvis pour <q>Sans suite [Un air de roman]</q>

Interviews

Sébastien Bournac, the musical comedy to rediscover total theatre

Sébastien Bournac

A spectacular show is in store with 8 actors, musicians, singers in a musical comedy dynamic with the premiere of Sans suite [Un air de roman] on the Parvis stage on Wednesday evening.

Sunday, February 8, 2026

Drôles d’oizo au Théâtre des Nouveautés

we saw

Ligue de l'Enseignement des Hautes-Pyrénées

Drôles d'oizo

Compagnie Sing Song

With Drôle d’oizo, it’s a beautiful show and beautiful views of birds that the young spectators from the kindergartens of the Hautes-Pyrénées will be able to take back to their cozy nest.

Tuesday, January 20, 2026

Alonzi King Lines Ballet sur la scène du Parvis

we saw

The Collective Agreement – Ode to Alice Coltrane

Alonzo King Lines Ballet
Alonzo King

In two choreographies, the Alonzo King Lines Ballet transcends classical ballet to offer us a very contemporary vision.

Sunday, January 11, 2026

Roméo et Juliette sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Romeo et Juliette

William Shakespeare
Guillaume Séverac-Schmitz

By constantly pulling his characters between the Shakespearean tragedy of the late 16th century and dialogues rooted in the vulgarity of our time, Guillaume Séverac-Schmitz makes Romeo and Juliet do…

Saturday, December 13, 2025

Ibrahim Maalouf sur scène à Lourdes dimanche dernier / photo Stéphane Boularand (c)Bigorre.org

Interviews

Ibrahim Maalouf, the mixed-race man, uses music to soothe tensions

Ibrahim Maalouf

While passing through the Hautes-Pyrénées for a concert in Lourdes last Sunday, Ibrahim Maalouf answered our questions about his music and his Kalthoum tour before the show.

Sunday, November 16, 2025

Portés de femmes au Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Portés de femmes

Humour, derision, feminism and performance at the Parvis with Portés de femme which quickly wins over the audience.

Saturday, September 20, 2025

Chacha Angela / photo Stéphane Boularand (c)Bigorre.org

Interviews

Biso Muziki: Africa at the heart of the musical melting pot

Chacha Angela, the drummer for Boulevard des Airs, also has some personal projects. One of them is Biso Musiki, where his African musical heritage blends with other influences. And he's currently…

Saturday, April 12, 2025

Alain et Laurence Brumont autour des « Bulles de vie » de Julien Righi / photo Stéphane Boularand (c)Bigorre.org

Interviews

Brumont, from wine culture to entertainment

For the Brumonts, wine culture rhymes with the culture of the mind. We meet Alain Brumont a few months before the Soirées Impériales, which will showcase the history of taste.

Monday, March 17, 2025

De sauts et de créativité / photo Stéphane Boularand (c)Bigorre.org

we saw

Ka-in

Groupe Acrobatique de Tanger
Raphaëlle Boitel

With the Ka-In show, the Tangier Acrobatic Group takes the audience on a journey between dance and circus for a breathtaking hour.

Monday, March 3, 2025

Tosca sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Tosca

Puccini
Opera de Compiègne

As the Théâtre Impérial - Opéra de Compiègne presents a Tosca that is outside the norms of the great opera stages, the question arises: can Puccini adapt to a more restrained form? An hour and…

Thursday, January 9, 2025

Après deux heures sur la scène, le Baro d'Evel termine le spectacle en musique devant les portes du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Qui som ?

Baro d'Evel

Burlesque, dance, theater, circus. Baro d'Evel plays with all genres, constantly coming back without ever weighing on the fundamental question: who are we?

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