We have seen Ka-in

It's a breathtaking hour. First, for the 13 performers, who perform handsprings, pyramids, cartwheels, and other circus acrobatics at a frenetic pace. The acrobats are also dancers, mixing breakdancing moves with other figures. It's also a breathtaking hour for the Parvis audience, who are also swept away by the dynamics of the show, which won't give them time to breathe. We are initially impressed by the sustained rhythm of the performers from the Tangier Acrobatic Group, who perform a magical display of jumps, circus moves, and breakdancing scenes with breathtaking coordination and precision. But the show goes beyond the physical performance at the beginning. Raphaëlle Boitel's direction then begins to let the bodies and the performance of the acrobat-dancers speak for themselves. The connection between the performers, the connection with the audience, becomes more essential than the performance itself. With the key to some images that mark the show, like the pyramid in the shadows or the dancers surrounding one of their number with beams of light. Or the final scene, in the form of an explosion of joy, which has a taste of reminiscence of the Arab Spring.