543 articles105 we saw183 news253 interviews2 editorial the most readWe saw it a 23 June

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Monday, March 30, 2026

Phantom France on the Parvis stage / photo Stéphane Boularand (c)Bigorre.org

we saw

France-fantôme

Tiphaine Raffier

With France-fantôme, Tiphaine Raffier delivers a dystopia that takes theatre somewhere between Aldous Huxley’s Brave New World and Ray Bradbury’s Fahrenheit 451.

Saturday, March 21, 2026

Frank Grimaud in front of the OMP building in Tarbes / photo Stéphane Boularand (c)Bigorre.org

interviews

Frank Grimaud, the operatic singing of Mariano to Pavarotti

Frank Grimaud

A seismology technician at the Midi-Pyrénées observatory during the week, Frank Grimaud transforms into a tenor on weekends to share his love of operatic singing.

Friday, March 13, 2026

<q>Without sequel [A touch of romance]</q> on the Parvis stage / photo Stéphane Boularand (c)Bigorre.org

we saw

Sans suite [Un air de roman]

Sébastien Bournac
Baptiste Amann

Sébastien Bournac and his team will be presenting the premiere of Sans suite [Un air de roman] at Le Parvis on Wednesday evening during their residency.

Saturday, February 21, 2026

Mariia Stohnii devant un de ses arbres. / photo Stéphane Boularand (c)Bigorre.org

interviews

Mariia Stohnii came from Ukraine with her paintbrushes.

Mariia Stohnii

Meeting with a Ukrainian artist who has settled in the Hautes-Pyrénées. Interview at Angel Lover, 50 rue de Bagnères in Lourdes, where she is exhibiting with her sister Lesia until February 28th.

Tuesday, February 17, 2026

Simón Aravena et Matthis Walczak sur la scène du Pari à Tarbes / photo Stéphane Boularand (c)Bigorre.org

we saw

Le Parvis

La fabuleuse histoire de BasarKus

Compagnie Lamento

At the crossroads of dance and circus techniques, The Fabulous Story of BasarKus takes the audience on a timeless half-hour journey.

Sunday, February 8, 2026

Lieux communs de Baptiste Amann sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Lieux communs

Baptiste Amann

Common Places begins like a thriller, but as the show progresses, it reveals a luminous commentary on the complexity of the feelings that guide - or do not - individuals.

Saturday, January 17, 2026

Marie Ponsot enseigne le théâtre au Lycée Marie-Curie à Tarbes / photo Stéphane Boularand (c)Bigorre.org

interviews

Theatre for everyone with the Marie-Curie High School

Marie Ponsot

Discovering theatre, participating in theatre classes from 10th to 12th grade, and having it count towards the baccalaureate exam: that's what the Marie-Curie High School in Tarbes offers. We spoke…

Sunday, January 11, 2026

Roméo et Juliette sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Romeo et Juliette

William Shakespeare
Guillaume Séverac-Schmitz

By constantly pulling his characters between the Shakespearean tragedy of the late 16th century and dialogues rooted in the vulgarity of our time, Guillaume Séverac-Schmitz makes Romeo and Juliet do…

Sunday, November 16, 2025

Portés de femmes au Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Portés de femmes

Humour, derision, feminism and performance at the Parvis with Portés de femme which quickly wins over the audience.

Saturday, May 31, 2025

La marionnette entre Denis Lacaze et le public des Maynats / photo Stéphane Boularand (c)Bigorre.org

interviews

Denis Lacaze, puppets go beyond the actor

Denis Lacaze

Denis Lacaze and his 150 puppets return to the Hautes-Pyrénées, starting with a notable appearance at the Maynats festival. An interview with the man who usually hides behind it.

Tuesday, April 1, 2025

 / photo Stéphane Boularand (c)Bigorre.org

we saw

Marius

Joël Pommerat
Marcel Pagnol

All of Marcel Pagnol's characters are on stage, but Joël Pommerat has concocted another Marius.

Monday, March 3, 2025

Tosca sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Tosca

Puccini
Opera de Compiègne

As the Théâtre Impérial - Opéra de Compiègne presents a Tosca that is outside the norms of the great opera stages, the question arises: can Puccini adapt to a more restrained form? An hour and…

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