598 articles118 we saw197 news281 interviews2 editorial the most readWe saw it a 29 October

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Tuesday, July 21, 2026

Compagnie Lé La's L'Enfant de l'arbre on stage at the Chapelle du Verbe Incarné during the Avignon Off Festival.

we saw

Off du Festival d'Avignon

L'enfant de l'arbre

During the Avignon Off Festival, we saw L'enfant de l'arbre, a tale about innocence and respect for the environment.

Monday, July 20, 2026

Kitchen tips from the Compagnie du Faune, at Espace Alya during the Avignon Off Festival.

we saw

Off du Festival d'Avignon

Astuces en cuisine

Théâtre du faune

While attending the Avignon Off Festival, we saw Astuces en cuisine, an inventive and effective clown duo.

Sunday, March 15, 2026

The Petit Travers collective and the Debussy quartet on the Parvis stage / photo Stéphane Boularand (c)Bigorre.org

we saw

Nos matins intérieurs

Collectif Petit Travers
Quatuor Debussy

When the musicians of the Debussy Quartet meet the jugglers of the Petit Travers Collective, it is not simply a matter of juggling to music.

Friday, March 13, 2026

<q>Without sequel [A touch of romance]</q> on the Parvis stage / photo Stéphane Boularand (c)Bigorre.org

we saw

Sans suite [Un air de roman]

Sébastien Bournac
Baptiste Amann

Sébastien Bournac and his team will be presenting the premiere of Sans suite [Un air de roman] at Le Parvis on Wednesday evening during their residency.

Saturday, March 7, 2026

Sébastien Bournac en résidence au Parvis pour <q>Sans suite [Un air de roman]</q> / photo Stéphane Boularand (c)Bigorre.org

interviews

Sébastien Bournac, the musical comedy to rediscover total theatre

Sébastien Bournac

A spectacular show is in store with 8 actors, musicians, singers in a musical comedy dynamic with the premiere of Sans suite [Un air de roman] on the Parvis stage on Wednesday evening.

Sunday, February 8, 2026

Lieux communs de Baptiste Amann sur la scène du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Lieux communs

Baptiste Amann

Common Places begins like a thriller, but as the show progresses, it reveals a luminous commentary on the complexity of the feelings that guide - or do not - individuals.

Sunday, February 8, 2026

Drôles d’oizo au Théâtre des Nouveautés / photo Stéphane Boularand (c)Bigorre.org

we saw

Ligue de l'Enseignement des Hautes-Pyrénées

Drôles d'oizo

Compagnie Sing Song

With Drôle d’oizo, it’s a beautiful show and beautiful views of birds that the young spectators from the kindergartens of the Hautes-Pyrénées will be able to take back to their cozy nest.

Tuesday, December 9, 2025

Philippe Marrast / photo Stéphane Boularand (c)Bigorre.org

news

A World Café on AI at Le Lien in Ibos

Academics, specialists, professionals and the general public will be able to share their perspectives on AI at Le Lien, which is organizing a World Café on Friday, December 12.

Monday, November 24, 2025

 / photo Stéphane Boularand (c)Bigorre.org

we saw

Non-lieu

Olivier Coulon-Jablonka

A few days after its creation, Non-lieu was at the Parvis on Tuesday to talk about the need for a trial that will never take place.

Saturday, November 8, 2025

Elias Hanselmann dans la vitrine de La Chaise / photo Stéphane Boularand (c)Bigorre.org

interviews

Elias Hanselmann is off to a good start in his life as a visual artist

Elias Hanselmann

In just three years since graduating from ESAD Pyrénées, Elias Hanselmann has already multiplied exhibitions and residencies with his abstract paintings and deformed canvases.

Friday, September 5, 2025

Slack et autres ateliers circassiens pour une rentrée savoureusement estivale / photo Stéphane Boularand (c)Bigorre.org

news

The Passing Circus School is back in the open air

Cirque Passing

Passing took over the Parc Paul Chastellain in Tarbes on Saturday to kick off the new school year in a summery atmosphere.

Thursday, January 9, 2025

Après deux heures sur la scène, le Baro d'Evel termine le spectacle en musique devant les portes du Parvis / photo Stéphane Boularand (c)Bigorre.org

we saw

Qui som ?

Baro d'Evel

Burlesque, dance, theater, circus. Baro d'Evel plays with all genres, constantly coming back without ever weighing on the fundamental question: who are we?

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